Hannah Collins

Londres, 1956

Creadores en la colección del CAAM.

Trayectoria artística

Exposiciones individuales

1986

  • Evidence in The Street, Interim Art, London

1987

  • Film Stills, Matt’s Gallery, London
  • Shelf, Situation, Shrine, Colindale Hospital, Public Art Development Trust, London

1988 

  • Heart and Soul, Ikon Gallery, Birmingham
  • Large Scale Photoworks, T’Venster Gallery, Rotterdam
  • Galerie Arlogos, Nantes

1989

  • Viewpoints, Walker Art Museum Minneapolis
  • Xavier Hufkens Gallery, Brussels
  • New Works, Institute of Contemporary Art, London
  • Stairway to Heaven, Hacienda Club, Manchester

1990

  • Galerie Arlogos, Nantes, Francz
  • Tanit Gallery, Colonia

1991

  • Stronefree, Tinglado II, Tarragona, España
  • Paley Wright Gallery, London
  • S.L. Simpson Gallery, Toronto, Canada
  • Xavier Hufkens Gallery, Brussels

1992

  • Galeria Joan Prats, Barcelona
  • Galerie Arlogos, Nantes, France
  • Regeneration, Power Plant, Toronto, Canada
  • Signs of Life, 3rd Istambul Biennial, Turkey

1993

  • The Turner Prize, Tate Britain, London
  • In the Course of Time, Vjazdowski Castle, Center of Contemporary Art, Warsaw, Polonia
  • Centre d’Art Santa Mónica, Barcelona

1994 

  • Signs of Life, Castelli Gallery, New York

1995

  • Luminous Liquid Breaths, Xavier Hufker Gallery, Brussels
  • Still-lives, Leo Castelli Gallery, New York
  • The Hunter’s Space, The Village, Láquarium, Valenciannes, Francia
  • Slow Time, Galeria Helga de Alvear, Madrid

1996

  • New Works, Galerie Laage Salomón, París
  • In the Course of Time, Koldo Mitxelena, San Sebastián; Fundació Sa Nostra, Palma de Mallorca
  • A Worldwide Case of Homesickness, Irish Museum of Modern Art, Dublin
  • The Hunter’s Space, Chisenhale Gallery, London; Cornerhouse Gallery, Manchester; Contemporary Art Centre, Glasgow
  • Shopping, Galeria Joan Prats, Barcelona

1997

  • Filming Things, Centre National de la Photographie, Paris
  • Selected Works, Galerie Arlogos, Nantes
  • In the Course of Time, Koldo Mitxelena, San Sebastian
  • In the Course of Time, A Worldwide Case of Homesickness, Sala Parpalló, Valencia
  • Edition, Xavier Hufkens Gallery, Brussels

1998

  • True Stories, Castelli Gallery, NewYork

1999

  • Life on Film, Galeria Joan Prats, Barcelona
  • 1000 German Books, permanent installation, University Library, Munich

2000

  • My Body and Place, Leo Castelli Gallery, New York
  • My Body and Place, Galerie Arlogos, Paris

2002

  • New Works, Galería Javier López, Madrid
  • Hotel of Being, Galería Joan Prats, Barcelona

2003

  • Supermarket, California, Galeria Javier López, Madrid
  • Another City Not My Own, Peer Foundation, London
  • Medir la Verdad, CAC Málaga
  • La Mina, Printemps de Septembre, Toulouse
  • La Mina, Nelson Gallery, University of California, Davis

2004

  • The Street, CAC, Malaga
  • La Mina, Forum 2004, Barcelona
  • La Mina, Vox Image Contemporaine, Montreal, Quebec

2006

  • A Future Life, Galeria Joan Prats, Barcelona

2007/08

  • Solitude and Company, Le Fresnoy
  • Historia en Curso, Obra Social Fundación ‘La Caixa’, Barcelona
  • Parallel, La Laboral, Gijon · Moving Image, Gering Lopez Gallery, New York

Exposiciones colectivas

1986

  • Antidotes to Mandess, Riverside Studios, London

1987

  • The British Edge, Institute of Contemporary Art, London
  • Towards a Bigger Picture, Victoria and Albert Museum, London
  • The Big Picture, The New Photography, John and Mable Ringling Museum, Florida and touring
  • Under the Sign of Saturn, Nigel Greenwood Gallery, London

1988

  • Australian Biennale, Sydney and Melbourne, Australia
  • Aperto’88, Venice Bienial, Italy
  • A British View, Für Gestaltung Museum, Zurich
  • Another Objectivity, Institute of Contemporary Art, London
  • Matter of Facts, Musée des Meaux-Arts, Nantes; Musée d’Art Moderne, Saint Étienne
  • Nobody's Fool, De Appel Gallery, Amsterdam
  • The Revenge of Recollection, Forum Stadtpark, Graz, Austria

1989

  • That Which Appears is Good…, Tanja Grunaert Gallery, Cologne
  • Une Autre Objectivité, Centre National des Arts Plastiques, Paris
  • Malasia, Galería la Máquina Española, Madrid
  • Portraits, Contemporary Art Foundation, Amsterdam
  • Shifting Focus, Arnolfini Gallery, Bristol; Serpentine Gallery, London
  • Polaroid Works, Victoria and Albert Museum, London
  • L’invention d’un Art, Centre Georges Pompidou, Paris

1990

  • Stuart Regen Gallery, Los Angeles
  • To Be or Not to Be, Centre d’Art Santa Mònica, Barcelona
  • British Artists in Russia, Kiev, Ukraine, Moscow
  • Images in Translation, Modern Art Museum, Kyoto, Japón
  • The Sybilline Eye, Künstlerwerstatten, Munich

1991

  • European Photography Award Exhibition, Künstler Werstatt Bahnoff, Berlin · Out of Limbo, Fundación Luis Cernuda, Sevilla
  • De-Composition, British Council, touring exhibition
  • Portraits, Barbara Krakow Gallery, Boston
  • Art et Essai, Université de Rennes, Francia

1992

  • In Vitro, Fundació Joan Miró, Barcelona · The Last Days, Salas del Arenal, Expo’92 Sevilla
  • Twelve Stars, Arts Council Gallery, Belfast; City Art Centre, Edinburgh; Barbican Art Gallery, London

1993

  • Salón de los 16, Palacio Velázquez, Madrid; Auditorio de Galicia, Santiago de Compostela, España

1994

  • Image / Image, Museum of Ghent, Belgium
  • A Positive View, The Saatchi Gallery, London
  • Los Géneros de la Pintura, Museo Español de Arte Moderno, Madrid. Centro Atlántico de Arte Moderno, Gran Canaria, España

1995

  • Warworks, Victoria and Albert Museum, London and touring
  • Sites of Being, Institute of Contemporary Art, Boston
  • British Sculpture, Weltkunst Collection, Irish Museum of Modern Art, Dublín
  • Le monde aprés la Photographie, Musée d’Art Moderne, Villaneuve d’Ascq, Francia
  • Vues Intérieures, Fonds Regional d’Art Contemporain Bretagne, Chateugrion, France
  • Incidentes, Xunta de Galicia, Casa Parra, Santiago de Compostela

1996

  • Prospect 96, FrankfurtExergue, Centre d’Art Contemporain, FRAC Basse Normandie, Caen
  • Exergue, Centre d’Art Contemporain, FRAC Basse Normandie, Caen
  • Constructions, Galerie Laage Salomón, Paris
  • Le Monde Après la Photographie, Villa Arson, Nice, Francia
  • Warworks, Canadian Centre for Photography, Toronto, Canada
  • Photography. Art Vehicle / Art Material, Contemporary Art Gallery, Krakow, Poland
  • Absolute Landscape, Yokohama Museum, Japón
  • Desert, Ikon Gallery, Birminghan, John Hansard Gallery, Southampton Gallery, Inglaterra

1997

  • Surroundings, Tel Aviv Museum of Art, Tel Aviv, Israel
  • The City and The Stars, Galeria Luis Serpa Projects, Lisbon
  • Paved with Gold, Kettle’s Yard, University of Cambridge
  • Landscape. The Pastoral to the Urban, Centre for Curatorial Studies, Bard College, Annandale on Hudson Nueva York

1998

  • Chime. Tinking Aloud, Kettle’s Yard, Cambridge, Cornerhouse, Manchester; Camden Arts Center, London
  • Fiction Intimes, Fundacion Miro, Barcelona, Espace Electra
  • Paved With Gold, Kettle’s Yard, Cambridge
  • De Composition – Photography Group Show, Ileana Tounta Contemporary Art Centre, Athens
  • DeComposition – Photography from Britain, Macedonian Museum of Contemporary Art, Thessaloniki
  • Contact, City Poster Project, Cardiff

1999

  • Dobles Vidas, Institut de Cultura de Barcelona, Palau de la Virreina, Barcelona
  • Insite 98 – Mysterious Voyages: Exploring the subject of Photography, Contemporary Museum, Baltimore
  • Dobles Vidas, Museo de Textil, Barcelona
  • Ragtime, Galeria Estrany de la Mota, Barcelona, Galeria Helga de Alvear, Madrid
  • Sublime. The Darkness and the Light, John Hansard Gallery, Angel Row Gallery
  • Fora de Camp, Metronom, Barcelona
  • Four Walls Film Programme, National Theatre, London
  • Invisible Museum, House, Cairo

2000

  • Opening Exhibition, Tate Modern, London
  • Evidence: Portraits by Hannah Collins, Frank Egloff, Craigie Horsfield and Sa Schloff, The Barbara Krakow Gallery, Boston
  • Façon de Peindre, Gabrielle Salomon – Art Conseil, Paris
  • Commissioned print selection, Tate Modern, London
  • Deutsche Bank Collection, Deutsche Bank, London

2001

  • Trois Photographes: Hannah Collins – Fariba Hajamadi – Tracey Moffatt, Gabrielle Salomon – Art Conseil, Paris
  • The Language of Things, Kettle’s Yard, Cambridge
  • New Works, Museo Reina Sofía, Madrid
  • Recent Works on Paper, Leo Castelli Galery, New York
  • Group Show, Barbara Krakow Gallery, Boston
  • Giorgio Morandi, Artist’s contribution, Tate Gallery, Londres

2002

  • Colección Falcon Ordóñez, San Sebastián
  • Grace & Gravity, Galería Estrany – De La Mota, Barcelona
  • Peinture et Photographie, Gabrielle Salomon – Art Conseil, Paris
  • Recent Works on Paper, Leo Castelli Gallery, New York
  • Approches Critiques: l’expérience Esthétique, galerie Art & Essai, Rennes
  • Seeing Things, Victoria and Albert Museum, V&A, London
  • Group Show, Leo Castelli Gallery, New York
  • The Unblinking Eye, Irish Museum of Modern Art – IMMA, Dublin
  • Acquired Works, Irish Museum of Modern Art, Dublín

2003

  • After the News, CCCB, Barcelona

2004

  • El Somni Eròtic, Centre d’Art la Panera, Lérida
  • De leur Temps. Collections Privées Françaises, Musée des Beaux-Arts de Tourcoing, Tourcoing
  • Nuevas Tecnología – Nueva Iconografía – Nueva Fotografía, Museu d’Art Espanyol Contemporani (Fundación Juan March), Palma de Mallorca

2005

  • Wunderkammer; The Artificial Kingdom, The Collection (Usher Gallery City and County Museum), Lincolnshire, Curated by Edward Allington
  • Citadinos, Arte y Naturaleza Centro de Arte, Madrid
  • Miradas de Mujer – 20 Fotógrafas Españolas, Museo de Arte Contemporáneo Esteban Vicente, Segovia
  • Nuevas Tecnología – Nueva Iconografía – Nueva Fotografía, Museo de Arte Abstracto Español, Cuenca
  • b.a.-ba un Choix dans la Collection du Frac Bretagne, Domaine de Kerguéhennec – Centre d’Art Contemporain, Bignan

2006

  • Seville Biennial (BIACS 2) curated by Okwui Enwezor
  • Glaskultur – Qué pasó con la trasparéncia, Centre d’Art la Panera, Lérida
  • Peintres de la Vie Moderne Modern-life Painters – Donation – caisse des Dépôts’ photograph Collection, Centre Pompidou, Musée National d’art Moderne, Paris
  • Cross-referenced Messages – Talk with reality in Time, ARTIUM Centro-Museo Vasco de Arte Contemporáneo, vitoria-Gasteiz

2007/08

  • Body Pleasure / Body Pain, Fotomuseum Winterthur, Switzerland
  • Cartografías Disidentes, Sealex, Museo de Arte de Chile, Santiago, Chile
  • Current History, Seville Biennial
  • Time Present, Time Past, Istanbul Modern, Istanbul
  • Barcelona 1947-2007, Fondation Maeght de Saint Paul
  • Lisbon Images, Museo Municipal de Faro
  • De leur temps (2) Art Contemporain et Collections Privées, Musée de Grenoble
  • Les Temps Modernes, Domaine de Kerguénnec – Centre d’Art Contemporain, Bignan

 

Films 

2001

  • La Cantante, Cambridge Film Festival
  • La Cantante, Fourth Wall, National Theatre, London

2002

  • Buscando la Vida, Sitges Film Festival

2003

  • La Mina, Nelson Gallery, University of California, Davis, California
  • La Mina, Printemps de Septembre, Toulouse
  • La Mina, Centro de Arte Contemporaneo, Malaga

2004

  • La Mina, Rotterdam Film Festival, Netherlands, Vox Gallery, Montreal

2006

  • Beshencevo A Current History, Seville Biennial

2007

  • Beshencevo A Current History, BFI screening, National Film Theatre, London
  • Current History, Cambridge Film Festival UK , Gering Lopez Gallery, New York

2008

  • Solitude and Company, Le Fresnoy
  • Parallel, La Laboral, Gijon

Colecciones

  • COLBY COLLEGE MUSEUM OF ART, USA
  • ALBRIGHT KNOX MUSEUM. BUFFALO, USA
  • WALKER ART MUSEUM, Minneapolis, USA
  • VICTORIA AND ALBERT MUSEUM, London
  • THE BRITISH COUNCIL, London
  • THE ARTS COUNCIL OF GREAT BRITAIN, London
  • FRAC Rhone-Alpes, France
  • FRAC Bretagne, France
  • FNAC France
  • FRAC Basse Normandie, France
  • FUNDACIÓN BANESTO, Spain
  • THE EUROPEAN PARLIAMENT, Strasbourg
  • POLAROID INTERNATIONAL
  • CULTURAL RIOJA, Spain
  • DIPUTACIÓN DE ALMERIA, Spain
  • MAISON EUROPÉENE DE LA PHOTOGRAPHIE, Paris
  • WELTKUNST FOUNDATION
  • REINA SOFÍA MUSEO, Madrid
  • THE TATE GALLERY, London
  • MACBA, Barcelona
  • MUSÉE DES BEAUX ARTS, Nantes, France
  • LUXEMBOURG MUSEUM, Luxemburg
  • DALLAS MUSEUM OF ART, Dallas
  • DEUTSCHE BANK COLLECTION, London
  • FUNDACIÓN TELEFONICA, Spain
  • DIPUTACIÓN DE CADIZ, Spain
  • DIPUTACIÓN DE MURCIA, Spain
  • FUNDACIÓN  BOTIN, SANTANDER, Spain
  • CAJA LA GENERAL, GRANADA, Spain
  • CENTRO DE CULTURA, LAS PALMAS DE GRAN CANARIA, Spain
  • MUSEO DE ALAVA, VITORIA, Spain
  • BANCO DE ESPAÑA, MADRID, Spain
  • AYUNTAMIENTO DE LOGROÑO, Spain
  • AYUNTAMIENTO DE PAMPLONA, Spain

Bibliografía

Escritos del Artista

Events and Conditions – Finding, Transmitting, Receiving, ed. Black Dog Publishing, pp 5.74-75, 2007

Filming in Russia. By Hannah Collins, Vertigo, Vol 3, No 3 (Autumn 2006), pp 42-44, 2006

Thin Protective Coverings, No 1, First Works by 362 Artists, DAP Art Publishers, 2005

For the Giorgio Morandi Catalogue, ed. Tate Modern, pp 34-35, 2001

La Vida en Pelicula – Life on Film, ed. Galeria Joan Prats, September 1999

Filming Things, ed. Centre national de la photographie, Echo Books, pp. 19, 29, 47, 59, 69, 77, 87-91, 1997

Signs of Life. Diary Notes by Hannah Collins, 3rd Istambul Biennial Catalogue: ed.

British Council, 1992. Reprinted in In the Course of Time, Catalogue: ed. Koldo Mitxelena, San Sebastian, 1996

A Worldwide Case of Homesickness, ed. Irish Museum of Modern Art, Dublin, October 1996. Reprinted Filming Things, 1997

Diary: In the Course of Time, 1996

Desvan, ed. Gallery Joan Prats, Barcelona, 1995

Guiones

Current History, Hannah Collins, Edouard Chiline Nizhni Novogorod, Russia, 2006

Parallel, London 2005

La Mina – Buscando la Vida, Barcelona, 2004

Monografías

Barroso, Edouard Paz. Hannah Collins, wandering episodes. Museu Municipal de Faro, 2007

Blazwick, Iwona. Excessive Visions, Centre d’Art Santa Monica, Barcelona, Departament de Cultura, 1993

Brea, Jose Luis. The Land of the Last Men (stories), Centre d’Art Santa Monica, Departament de Cultura, Barcelona, 1993

Condo, George. Hannah Collins, Galeria Joan Prats, Barcelona, 1992

Cork, Richard. Secular Shrines, Colindale Hospital Project, Public Art Development Trust, London, 1993

Durand, Regis. The World of Hannah Collins/Le Monde de Hannah Collins, Filming Things, Centre national de la photographie, Paris, 1997

LaVoie, Vicent. La Mina, VOX, Centre de l’image contemporaine, Montreal, Canada,
2004

Legallais, Catherine. A Worldwide Homesickness, In the Course of Time, Koldo Mitxelena Kulturunea, San Sebastian, 1996

Legallais, Catherine. Le faste étrange des perles et des coraux, Profil d’une collection, FRAC Basse-Normandie, France 1995

Noble, Richard. Bird Land, The Street, CAC Malaga, Ayuntamiento de Malaga 2002

Peran,Marti. Transitional Spaces, Hotel of Being, Galeria Joan Prats, Barcelona, 2002

Renton, Andrew. An Image taken (away) and a site wherein it may be recalled,The Hunter’s Space, Chisenhale Gallery, London 1995

Stimson, Blake. Bonjour Madamoiselle Collins, The Street, CAC Malaga, 2002

Tarantino, Michael. The Façade of the Objective/La Façade de L’Objective, Filming Things, Centre nationale de la photographie, Paris 1997

Entrevistas

West, Richard. Interview for Source magazine, Source magazine, 2008

Gili, Marta. Gestes, Printemps de septembre, Rendez-vous des images contemporaines, Toulouse, 2003

How to Stay Hungry, An Interview with Hannah Collins by Becky Beasley, ed. Grey Area Books, London, March 2003

Talking Photography, An interview with Shirley Read, Oral History, British Library National Sound Archive, 2003

Without Walls, The Turner Prize, Produced by John Wyver, Illuminations, 1993

A Conversation with Hannah Collins, Signs of Life, Michael Corris, 3rd Istanbul Biennal Catalogue, ed. British Council, London, 1992

Libros y CATALOGOS HECHOS POR EL ARTISTA Books and Catalogues by the Artist

Hannah Collins, Historia en curso. Películas y fotografías, Obra Social Fundación La Caixa, Barcelona, 2008

Parallel, ACTAR, Barcelona 2008

Finding, Transmitting, Receiving, Hannah Collins, Black Dog Publishing, 2007.

Hannah Collins, Filming Things, Centre national de la Photographie, Paris, 2007

The Street, Gestion Cultural y Comunicacion , 2004

Hannah Collins. In the Course of Time, Koldo Mitxelena, San Sebastian, 1996

Shopping, ed. Echo Books, Barcelona, 1996

A Worldwide Case of Homesickness, ed. Irish Museum of Modern Art, Dublin, 1996. Reprinted Filming Things, 1997

The Hunter’s Space, ed. Chisenhale Gallery, London, Cornerhouse Gallery, Manchester, 1995

Hannah Collins, Centre d’art Santa Mònica, Generalitat de Catalunya, 1993

Legends, ed. Matt’s Gallery, Institute of Contemporary Art, London, Orchard Gallery Derry, 1988

Otras menciones bibliográficas

Aliaga, Juan Vicente. MALAISE, Gallery La Maquina Espanola, catalogue, Madrid, 1989

Allington, Edward. Hannah Collins, SLADE Issue 3, 2002

Altaio, Vincenç, Stonefree, Tinglado 2, Tarragona, 1992

Baqué, Dominique. En Guise d’épilogue: Admirations, Photographie Plasticienne, L’Extrême Contemporain, Editions du Regard, 2004

Blasswick Iwona, Foreword, Finding, Transmitting, Receiving, Black Dog Publishing, 2007

Blasswick Iwona, The Hunter’s Space, Portfolio magazine, No. 21. Edinburgh 1995

Blazwick, Iwona and Wilson, Simon. Tate Modern, The Handbook, London 2001, reprinted 2002. pp137

Bonet, Juan Manuel. Citadanos, Arte y Naturaleza, Madrid,, 2004

Brea, José Luis. Los Ultimos Días, Pabellón de España, Expo Seville, 1992

Button, Virginia. A History of the Turner Prize, Tate Gallery Publishing, London 1997. pp 98-100

Cameron, Dan. To be Or Not To Be, Centre d'Art Santa Monica, Barcelona, 1991

Cameron, Dan. Hannah Collins, Artforum, October, New York 1994

Campany, David. Art and Photography, Phaidon, 2003

Cassián Yde, Nizaiá. Las Seducciones de la Alteridad. Sobre “Historia en curso” de Hannah Collins en Caixa Forum, a-desk Crítica y Arte, 2008

Chevrier, Jean-Francois and James Lingwood. Une Autre Objectivite, CNAP, Paris 1989.

Collins, Hannah. Today, tomorrow and the next day, Irish Museum of Modern Art, Dublin, 1996

Corris, Michael. The Vulnerable Image, Lapiz No. 89, Madrid, 1993

Combalia, Victória. Hannah Collins”, El Pais, Madrid, 1993

Durand, Regis. Le Monde après la photographie”, Musee D’Art Moderne, Cat., Villeneuve Dascq, Lille 1995

Enwezor, Okwui. The Unhomely, Phantom Scenes in Global Society, BIACS2, 2nd Seville Biennial 2006

Fernandez Cortez, Manuel. Interview, Scope Magazine, Autumn 2002

Foster, Alicia. Tate Women Artists, Tate Publishing, London 2004. pp 188-9

Frisinghelli, Christine and Willman, Manfred. Revenge of Recollection, Camera Austria, Graz 1990

Grandes, Teresa. Hannah Collins: el transcurso del tiempo, Arte y Parte (magazine), Summer, Madrid 1996.

Guerra, Carles. Mesurar La Veritat II de Hannah Collins, La Vanguardia, September 2002

Guerra, Carlos. Despues de la Noticia, Publicaciones CCCB, Barcelona, 2003.

Haworth-Booth, Mark. European Photography Prize, Berlin 1991

Haworth-Booth, Mark. Things, A spectrum of Photography 1850 – 2001, Victoria and Albert Museum, pp125,126, 2004

Hoet, Jan. Image7Image, Ghent, 1994

Horne, Kathryn. In with the outcasts, The Times, 30th September, 2003

Lavoie, Vincent. Histoire Tiede, Parachute, February 1998.

Legallais, Catherine. Le Nomadisme Hybride d'Hannah Collins, Art Press, no 165, Paris, 1992

Lingwood, James. Hannah Collins, Institute of Contemporary Art, London, 1988

Matos, Dennys. What is the City? Citadanos,, Arte y Naturaleza, Madrid, 2004

Ramirez, Juan Antonio. Los Géneros de la Pintura, Museo Español de Arte Moderno, Madrid, 1994

Renton Andrew, The Street / A Home in Three Places (Somewhere on the Road Between Jerusalem to Tel Aviv), La Calle/The Street, CAC Malaga, p42, 2003/4

Riley, Robert R. La Mina, Forum 2004, Barcelona, Spain, 2004

The Photo Book, Phaidon Press, 2001.

Thompson, Jon. The Sublime Moment: The Rise of the Critical Watchman, Sublime: The Darkness and the Light, Cat., Arts Council, 1999

Wilson, Simon. The Turner Prize, Tate Gallery Catalogue, London 1993.

Otros

Films

Hannah Collins has worked in film since 2001, producing projects including Solitude and Company, Parallel, A Current History and La Mina.

2008

La Mina, Centro Cultural de Sao Paulo, Brasil
Parallel, Current History and La Mina, Obra Social Fundació "la Caixa", Barcelona
Solitude and Company , Le Fresnoy
Parallel, La Laboral, Gijon

2007

Beshencevo A Current History, BFI screening, National Film Theatre, London
Current History, Cambridge Film Festival UK , Gering Lopez Gallery, New York

2006

Beshencevo A Current History, Seville Biennial

2004

La Mina, Rotterdam Film Festival, Netherlands, Vox Gallery, Montreal

2003

La Mina, Nelson Gallery, University of California, Davis, California
La Mina, Printemps de Septembre, Toulouse
La Mina, Centro de Arte Contemporaneo, Malaga

2002

Buscando la Vida, Sitges Film Festival

2001

La Cantante, Cambridge Film Festival
La Cantante, Fourth Wall, National Theatre, London

Hipervínculos

www.hannahcollins.net

 

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